Kellerberrin on the Great Eastern Highway so lots of trucks and lots of noise in beautiful rural area

Great Eastern Highway, Western Australia is a major road linking Perth with Kalgoorlie. It is a key route for vehicles accessing eastern wheatbelt and the eastern goldfields. It also forms the westernmost 595 kilometres (370 mi) of the main road transportation link between Perth and the east coast of Australia.





shopping list for kellerberrin


ideal shopping list for kellerberrin 1 august 2008
  1. rain
  2. a clone to do all the dreary stuff
  3. more hours in the day
  4. fresh fruit and veg
  5. shoes
  6. a garden on Mars where there is more water
  7. undies
  8. a ticket to England
  9. free or affordable petrol
  10. a woman
  11. quiet trucks and trains
  12. nothing really
  13. more days in the week
  14. clothes
  15. a money tree
  16. a way to deal with difficult family members
  17. more choice
  18. a travel companion
  19. a cinema
  20. a cycle path or walk path

http://www.actnow.com.au/Issues/Rural_Australia.aspx

shopping list for kellerberrin

i have been asking people what they want to be able to get in Kellerberrin ...

shopping list so far 3o July 2008

rain
fresh fruit and veg
undies
a ticket to England
free or affordable petrol
a woman
shoes
quiet trucks and trains
clothes
more choice
a travel companion
a cinema


















rain




its been raining since i got here so i reckon i brought it with me .. its a precious commodity here for the farmers so i have been collecting it .. i have an idea to bottle it and auction it off for a high price . Maybe i should import it from scotland or ireland ..


http://www.met.ie/climate/rainfall.asp









http://www.weatherzone.com.au/station.jsp?lt=site&lc=10073&list=ob&ut=2


http://www.agric.wa.gov.au/aboutus/Pubns/gso/GSOutlook_index.htm




“Everything is ready but we just can’t get the weather to get going' Ian green farmer morayshire scotland .




http://www.fwi.co.uk/Articles/2008/07/31/111460/harvest-halted-by-rain-in-northern-ireland.html


http://www.fwi.co.uk/Articles/2007/08/31/106415/no-progress-in-londonderry-as-rain-continues.html


http://www.fwi.co.uk/Articles/2007/08/30/106404/rain-prevents-start-to-morayshire-wheat-harvest.html





Water Bag


Water bags were commonly made from kangaroo skin. However, they were sometimes also made of smaller animals, including rabbits, in more recent times. This bag is made from the tanned skin of a Bridled Nailtail Wallaby (Onychogalea fraenata) which is now extinct in New South Wales.

Australia is one of the driest continents on earth. Drought is common. Despite regular droughts, Aboriginal people have lived successfully in large parts of the arid inland regions of Australia for thousands of years. Over time they developed a sophisticated and intricate knowledge of their environment that was vital to their success in these conditions. There were two key elements to their subsistence strategies: knowledge of where and how to find water, and how to collect and make flour from a range of native plant seeds.





http://images.google.com.au/imgres?imgurl=http://www.austmus.gov.au/snapshots/arid/images/400/b8551.jpg&imgrefurl=http://www.austmus.gov.au/snapshots/arid/bags.htm&h=229&w=400&sz=13&hl=en&start=3&um=1&tbnid=o5sg9QVoA_SE8M:&tbnh=71&tbnw=124&prev=/images%3Fq%3Daboriginal%2Bwater%2Bbag%26um%3D1%26hl%3Den%26sa%3DN










maybe i will make jars of preserves at a horti show ... jars of speciality rain with embroidered tops/ labels...

http://www.tasmanianrain.com/














When talking about what i will make of exhibiton someone local suggested i make something 'salty' for my exhibition here at IASKA as salinity is a big problem here .

http://www.environment.gov.au/land/pressures/salinity/index.html

http://www.abc.net.au/science/slab/salinity/default.htm


















'Dryland salinity, the gradual loss of farm and grazing land to rising salt, is a massive problem, hard to comprehend and harder still to stop. There is salt everywhere in Australia; vast amounts of it, mostly located underground. It has built up over many thousands of years, originating from the weathering of rock minerals or the simple act of sea salt dropping via rain or wind. The native Australian vegetation evolved to be salt-tolerant. Many of the woodland species, for example, have deep roots and a high demand for water. Whilst the system was in balance, the salt stayed put. But when European farming arrived and replaced the native species with crop and pasture plants that have shorter roots and need less water, the inevitable happened. With every fall of rain, unused water "leaks" down to the water table, raising it, and bringing the salt up with it. That process continues today, and the volumes of water and salt are vast. Under the soils of the Western Australian wheabelt and part of Eastern Australia the salt store is so immense, and the movement of sub-surface water so slow, that restoration to fertility of salt-affected land will take generations. Some areas may never recover. In Australia, it is estimated that many billions of trees have been removed. 2,5 million hectares of land are affected by salinity and there is a potential for this to increase to 15 millions hectares, much of this in some of our most productive agricultural land. It's taken a long time for the political establishment to grasp the seriousness of the problem.'

http://www.wadidge.com.au/didgeridoo-news/revegetation-project.html



salt underfoot -------salty shoes



salt crust

a shop being described as a 'universal provider'......... a shop that would provide all your needs... a shop that would have anything you want.. what would people want . i have been asking people what they cant buy in Kellerberrin and will compile a list .. I may ask what they would want if the shop could have anything



. Including, relating to, or affecting all members of the class or group under consideration

  • common to all purposes, conditions, or situations: a universal remedy..
  • Of or relating to the universe or cosmos; cosmic
  • Knowledgeable about or constituting all or many subjects; comprehensively broad
  • Adapted or adjustable to many sizes or mechanical uses
  • Encompassing all of the members of a class or group.
  • A general or widely held principle, concept, or notion.
  • A trait or pattern of behavior characteristic of all the members of a particular culture or of all humans.

  • One who supplies a means of subsistence: parents who were good providers.
  • One that makes something, such as a service, available: primary health care providers.


the co -op had been described as ,universal providers '


u·ni·ver·sal

adj.
1. Of, relating to, extending to, or affecting the entire world or all within the world; worldwide: "This discovery of literature has as yet only partially penetrated the universal consciousness" Ellen Key.
2. Including, relating to, or affecting all members of the class or group under consideration: the universal skepticism of philosophers.

3. Applicable or common to all purposes, conditions, or situations: a universal remedy.
4. Of or relating to the universe or cosmos; cosmic.
5. Knowledgeable about or constituting all or many subjects; comprehensively broad.
6. Adapted or adjustable to many sizes or mechanical uses.
7. Logic Encompassing all of the members of a class or group. Used of a proposition.
n.
1. Logic
a. A universal proposition.
b. A general or abstract concept or term considered absolute or axiomatic.
2. A general or widely held principle, concept, or notion.
3. A trait or pattern of behavior characteristic of all the members of a particular culture or of all humans.



pro·vid·er
n.
1. One who supplies a means of subsistence: parents who were good providers.
2. One that makes something, such as a service, available: primary health care providers.













The IASKA exhibition space was previously a drapers shop which local people say 'sold everything'
  • haberdashery
  • shoes
  • mens and womens clothing
  • undies

Some of the shops on Massingham street Kellerberrin are empty so on first impressions it seems nothing much goes on here but once here for a while you realise there's alot more going on .

'although Kellerberrin major thoroughfare Massingham street can on days be near - empty. This can be deceptive. It is not a true measure of the towns standing. There may not be as many people around anymore but beneath the surface there still flows a strong community spirit undiminished by the burden of agriculture's changing face and its affects on the district. Thus spirit is applied conscientiously to its commercial , social and welfare activities '

boomin the bush

late night shopping in Kellerberrrin in 1967 a recent innovation - was proving to be very popular and there were plenty of chops in which to spend that money burning a hole in your pocket. one report of the times boasted that in contrast to many country towns Kellerberrin has no empty shops to rent'

shops had changed . gone now was the friendly highly personalised service of the shopkeeper. Before that happened going to town was still a dress up event.. best dresses, hats ,, gloves stockings etc for the women and suits or sports jackets ties and hats for the men on arrival to town were were able to place our weekly order at eh co-op ' then it would be off to do some socialising returning later to pick up the orders already packed into boxes and set off back to the farm'

Kellerberrin farmers cooperative

'trading began there in 1917. In the intervening years farmers and townsfolk alike have shopped for all manner of things at what became known as the Co-op. The cooperative movements emerged at eh beginning of the twentieth century in Western Australia. Farmers at that time had come to the conclusion that by cooperatively buying and selling products they needed to run their farms, any profit made from such sales could be returned in the form of dividends rather than to merchants they would normally deal with'.

hairpins to hams to hardware

'Kellerberrins co-op actually got under way in the dying days of 1916. It was probably in the next year that it rented and set up shop in Mr Mc Cabes generally store in which you could buy anything from hairpins to hams to hardware . . Emblazoned across its facade was its new name The farmers co-operative co.Ltd. and other advertising made the bold claim that the co-op and its agencies were UNIVERSAL PROVIDERS'

a man his dog and a dead kangaroo . terry spence


'the ugly mans competition was a fun way of raising money during wartime with one man from each of the towns of Doodlakine and Kellerberrin vying for the title . It was also another form of the quite lovely rivalry that always existed between the two towns . Lots of fun was had in the contest and there was constant coverage of its progress in the local press usually headlined with the question WHERE IS THE DISTRICTS UGLIEST MAN?. All sorts of functions at which the contestant would appear were held to raise money with the winner being the one who chalked up the most votes which cost a penny to buy.'.



the wheatbelts war
a man his dog an a dead kangaroo. terry spence

When looking through some Australian quilting craft magazines given to me by a local lady , I found a stitch called colonial stitch and have been trying to find out more about it as i have not seen the stitch referenced before.
making do with what you had

The international reputation that Australian women have earned for independence , tenacity ad strength may be due to the long tradition of coping , of overcoming obstacles and making do in difficult circumstances . Throughout Australia homes were often situated far from supplies and whether from economic necessity or logistics the women were forced to bring up the children maintain the home and provide the food largely relying on their own resources. The tradition of making do did not disappear after the early colonial era . It survived into the 50's particularly in the rural areas and was revived again in the late 1960s and 70s by those who embraced the philosophy of back to nature or cherish the earth on recycling and homemade goods .

we made things from what we had to hand , not only because of the money . it was mainly access to shops that was the problem . June Sowden

the making do tradition was imposed by necessity and arose from the gradual growth of settlement on selections in undeveloped areas.

'waste not want not' . keeping things that would 'come in handy'

In the 1940's depression crafts , learnt out of necessity were immensely important. the country rug , or bush rug incorporating all manner of bags, including flour bags, sugar bags , hessian bags used for grain was one indigenous development of great significance.

we used flour bags for a multiple of things we lined jackets and pants with them. sometimes our bed sheets were too short so the flour bags were used to lengthen them. they were very soft lovely material. June Sowden


Waggas or rag rugs used to be made with the bags inside or outside and another piece of material and you joined the cloths with a big running stitch usually from wool left over from knitting. The flour bags were usually inside- they couldn't be seen and some old rugs had all the family's old clothes inside in several different layers stitched together to make blankets

So what is a "wagga"?

The resourcefulness of Australians bred on a diet of harsh uncertainty from drought, fire, flood and war has nurtured a folk heritage of 'making something out of nothing'. Regardless of economic circumstance, everyone recycled, practicing thrift during times of deprivation. In the early twentieth century this was caused by economic depression and world wars and in this environment, the humble utilitarian quilts called "waggas" were born.

The origin of the word "wagga" may always remain a mystery but it is thought to be derived from the finely woven "Wagga Lily Flour" sacks made by the Murrumbidgee Flour Milling Co-operative in Wagga Wagga, New South Wales. However, they were made and known of right across Australia and were given different names such as a 'bluey', 'bush rug', 'wogger', 'Sydney blanket' or a 'Murrumbidgee rug'.
They all seem to share the same construction methods and were made mostly by men living 'on the road' and working in itinerant occupations on the land such as shearing, droving and fencing. Waggas were made of materials commonly found in a shed such as jute wheat bags and wool packs, opened out and stitched together along the seams with twine.
During the 1930's, the domestic burden carried by women was huge. Family survival often depended on women's initiative and skills to clothe and feed the family, furnish the home and literally 'make the bedding'. Women made domestic waggas for use in the home, which could be as simple as wheat or chaff bags stitched together and enclosed within a cotton cover made of simple patchwork. Otherwise, pieces of old clothing or bedding were laid flat and roughly stitched together, sometimes making quite a heavy quilt. Often these waggas or quilts were made with some thought for an aesthetic design, however humble the intent or plain the material.
The art in 'making do' Recycling is not just a modern day activity based on saving the environment. Last century, thrift was a national activity, necessary in times of financial hardship where the availability of ready-made goods to furnish the home and clothe the family was not as easy as it is today. The global marketplace has provided us with many choices to meet our material needs in a manner we almost take for granted. With more disposable income, we are so used to buying things cheaply and throwing out what is no longer useful. Not so long ago, these things were saved in the 'scraps box' and turned into other useful things when the need arose.

Choices still existed even with limited resources and people took care with their home made quilts to create something that was attractive. Even the simple patchwork quilts, made from suiting sample books obtained from tailors and travelling salesmen, show careful placement of colours to make a balanced design. These quilts and those made from a myriad of other recycled fabrics such as old bedspreads, curtains, clothing and blankets have become more than just a simple bed covering. Their colours, allusions to light, space and movement transcends their everyday function and conveys messages about our collective social history, how time was spent and family relationships.
It is interesting to see how the designs found in these utilitarian quilts of the Depression years can be compared with forms of abstractionism, which developed in modern art in the latter part of the twentieth century. These designs grew unselfconsciously from pragmatic origins and in isolation to modern art using a 'restricted palette' of recycled materials.



http://discover.collectionsaustralia.net/nqr/jo.php


wheat bags







champion bag sewers

farmers who remember the days of bag sewing with anything but fond memories say that if in a full day a man who could sew one hundred plus bags he was doing pretty good . That's why they greeted with disbelief a newspaper article reporting a couple of records that were being claimed in the eastern states

'it was claimed lately that Clem Tank had put up a South Australian record by sewing 515 bags of wheat in a day. really, Clement is a loiterer compared with T. Daniel Cash

The young man sewed 620 bags of wheat as they were coming out of a motor winnower at Kalka station on February 5, 1912 and each bag was dumped three times. In 1910 Cash contended that he could do a bag a minute and to prove the argument he completed 17 bags in 15 minutes
the young man is now a student at Melbourne university but he come home for vacation, and although out of practice and with soft hands , this season he managed 250 bags between midday and sunset .


the eastern recorder 12 march 1919


















the tale of shirt

'By the end of 1942 Australia was accepting that the effects of the war had made drastic inroads into the supply of many things they had hitherto taken for granted and that rationing of a number of items was a reality to be lived with. Shortages meant savings had to be made: Some of them in quite ingenious ways.

Gentlemen . we regret to inform you that the national interest you are to lose 3 - 5 inches from the tails of your shirts. We do not mean that the prime minister will come around with a pair of scissors to take a portion of your present outfit but that new garments will be much shorter. You are also to lose a smaller part if the shirt front and also your double cuffs. Pyjamas are also to be modified as doublebreasted types are out and pockets will disappear . These regulations will save much valuable material and the men will grin and bear it as such a patriotic gesture'

the eastern recorder 30 October 1942



women's arts in war time Australia

"After 1914 there was no public interest in major pursuits orientated towards beautifying the home lest they be considered frivolous. Women's magazines were careful to keep up patriotic sentiments in support of young men fighting at the front.During the 1914 war Australian women made numerous filet crochet commemorative works with inscriptions such 'as our hero we are proud of him'.
Patterns of flags and commonly used words were supplied but many women adapted these and added their own phrases and Australian motifs - kangaroos, emus, wattle . the technique of filet crochet which is like counted thread work lends itself to reproducing any pattern or design once graphed so that women could design any banner, cloth or slogan they wished"

during the war 1914 -18 some knitting was done but
by world war 2 knitting was the universal war time craft .

the needles clacked in every public place

  • trams
  • buses ,
  • in trains ,
  • in sewing circles
  • at home
  • even in church with special permission ..
  • in their offices
  • in factories
  • lunch breaks
  • school girls knitted in playgrounds
  • movies

worldwide public knitting day http://www.wwkipday.com/

http://www.castoff.info/press/pages/indie_review_23-3-04.html

RED CROSS

raw wool was received from all country branches and the society organised spinning by members. the oily raw wool was particularly important for socks for sailors but few women recall working with it with any pleasure; most preferred the fine machine wool provided by firms such as Paton and Baldwin. Hand knit garments reassured the recipients of the support of people at home. But 1943 voluntary workers at the Australian comforts fund handed over 400 000 garments ready for shipment.

womens involvement was primarily in traditional crafts and 'keep the home fires burning'. The war it seemed would call women 'not to arms but to knitting needles'

in the living rooms across the country in the quiet hours after dinner , listening to the wireless and waiting to hear news of the front the army of knitters increased their production until their efforts exceeded the requirements of the comforts fund. Once the basic steps of mastering the technique were accomplished , the tranquil and repetitive process of knitting provided a therapeutic form of creative relaxation in times of stress. the way the needlework, knitting or crochet slowly grows and can be picked up at the odd moment serves to calm the nerves and assist people to get over times of family crisis.

slow making

What is Slow Making? Its not a nostalgic return to some bucolic fantasy, but a philosophy that wants to discuss placing the maker, the artist, the designer in an ethical context. An ethical context that respects the speed of the hand in making, that understands the unique tempo of crafted production, knows too that its materials have been sourced by sustainable means and respecting of the communities where it came from. An ethical context that also encompasses ethical business practices. A philosophy that engages with the longevity of an object, & how it can be maintained and repaired over generations. A philosophy that values appropriate excellence - objects, art and design that fits within the social and economic context of its end user.

Slow Making Manifesto

1.To strive for appropriate excellence in the making process

2. To make objects that enhance the life of the user

3. To know the origins of our materials, ensuring that they respect country; the communities who produced or harvested them and are from sustainable sources

4. To make objects that will last, can be easily repaired when necessary and are made using materials and processes that do not harm the makers, the community or the environment

5. To deal with our co-workers, clients, suppliers and sellers in an ethical and fair manner

6. To foster, utilise and pass on skills that enhance the making process

7. To enjoy and relish the way of slow making


As makers, artists, designers and craft workers, we all recognise the difficulty of surviving in a world geared to mass consumption, mass manufacture and mass obsolescence. Slow Food has been about not just describing and demanding change to the way that food is produced, but just as important, it has worked very very hard at educating people about the importance, the difference between Slow Food and mass food. Can Slow Making be used to do a similar thing? To educate an audience about materials, aesthetics, skill and beauty. And the possibility of making your living ethically .

http://en.wikipedia.org/wiki/Slow_Movement

.http://makingaslowrevolution.wordpress.com/2008/04/17/an-ongoing-conversation-between-andy-horn-and-helen-carnac/

http://www.blogher.com/slow-cloth-slow-craft-birth-movement

the dead sheep test

Lewis Nod Wouthcott was not known for his adroitness as a footy player but also for his wit
in a match Mick Arthur was felled by a Goodmalling player ending up lying prone and stunned in the field . a nearby player going to his aid cried out in alarm. ' Micks dead' but up rushed Nod who, after giving Mick a poke in the eye with a finger, pronounced him to be ok
Nod was questioned " how do you know?' to which he replied "I gave him the dead sheeps test"
Whats that ? he was next asked
"well "said Nod "if you find a sheep lying down looking pretty crook you give the dead sheep's test . You poke him in the eye and if they blink then you know they are not dead . Mick blinked .
"Hes OK"


a man his dog and a dead kangaroo, terry spence






i have been reading a bit about Kellerberrin history and found a things of interest . ..


Boom in the bush

As the 1950's dawned there came with them the moment in agricultural history that many farmers had waited for so long


on motors and machines

it has always been generally accepted that whenever a farmers bumper harvest or wool clip fetches high prices he sets off on a buying spree after the cheques come in. For practical purposes he invests in the latest farm machinery . and then for a spot of indulgence he buys a new car . Geoff Chance says in the fifties boom he bought a new car every year . Flash ones too. Big American models like Dodges sporting the ostentatious, flaring rear end fins that were stylish at the time . The author recalls working on a farm om the fifties when one harvest the farmer left him in charge and went off on holiday.. He returned two weeks later in a brand new jaguar Mark V Saloon. True to tradition he later had no compunction about bumping out into the paddocks to load ailing sheep into the boot of his gleaming race-bred car to transport it back to the homestead .

a man his dog and a dead kangaroo. terry spence





i have just discovered a top tip in the local Kellerberrin community paper 'the pipeline '


'if you are having problems with rabbits or kangaroos eating your baby plants , get some cooking lard and combine it with about 20% kerosene. Heat the lard to a liquid then apply a little to each seedling. it should repel herbivores .'

the pipeline june 2008

kangaroo culling http://www.eurekastreet.com.au/article.aspx?aeid=7296











sheep





The first fat-tailed sheep into Australia arrived in 1788 with the First Fleet, while the first merino arrived in 1797 with only 13 sheep being purchased from the Spanish.Some of these sheep were sold to John Macarthur and Samuel Marsden, two notable pioneers of the wool industry. They began selective breeding by crossing their Merinos with other breeds in the colony.On his arrival in 1800, Governor King saw the potential and benefit to the colony in producing wool. His vision led to the establishment of a textile industry with the setting up of the first wool mill at Parramatta.The Australian rural landscape is uniquely suited to sheep, with a relatively mild climate extending over vast areas of natural grassland. Wool production is the country's largest and most important form of land use, with some 70,000 wool growing properties spread in a continuous crescent from the north of Queensland to the mid-north of Western Australia and including Tasmania and the Islands of Bass Strait.




i have been thinking of the first arrival of sheep into Australia and how aboriginal people must have viewed the arrival of woolly beasts!



'equally curious would have been the wool covered bleating animals which in flocks were driven before the white men and their horses. It was the beginning of the era of the pastoralist settler and his sheep in the kellerberrin district'.




killabin...kellerbrin...kellerberrin a man, his dog and a dead kangaroo by terry spence






from sheep to gold




gold sock Deirdre Nelson 2008 .
features in A' Fighe a'Cheo (knitting fog),
an exhibition of new work developed by Deirdre Nelson during a four month residency at Taigh Chearsabagh on North Uist earlier this year.





gold sheep. Deirdre Nelson 2008 .

features in A' Fighe a'Cheo (knitting fog),

an exhibition of new work developed by Deirdre Nelson during a four month residency at Taigh Chearsabagh on North Uist earlier this year.







gold


The discovery of gold in Western Australia in the late 1890s heralded a population explosion as fortune-seekers from all corners of the glue descended on the Goldfields region to cash in on its natural bounty.

It began as a whisper but the news soon spread as fast as the region’s wildfires. Gold hungry men by the thousands packed up and set out to the dusty landscape of the Kalgoorlie Goldfields and Murchison regions. They came slowly at first but as the finds grew so too did the populations. Lonely clusters of tents and rough and tumble bough sheds soon transformed into booming gold rush towns.

Grand hotels lined main streets and bustling town centres soon boasted butchers, bakers, schools and churches.









from gold to wheat





The Gold rush generated demands for Chaff wheat . Until this time wheat on sheep stations had only been grown by pastoralists to supply working horses with hay. By the late 1880's there was a larger industry. Chaff was needed to feed the horses who provided transport for the many people coming to the area. .. on the threshold of a new era of agriculture









wheat

they could not forsee that in the future years a stream of gold would flow from the soil which for them initially simply produced just natural pastures for their flocks . The gold was not the precious metal which at times crazed the minds of men desperate in their efforts to unearth it. That sort of gold would soon be discovered some distance away from the Kellerberrin district. ....rather it is the wheat we speak of GOLDEN GRAIN, the staff of life- whose potential would be released in time
























My artists residency has begun at IASKA in Kellerberrin Western Australia. i am just beginning to research the area and its history ..


Kellerberrin

Kellerberrin is a typical wheatbelt town located 246 metres above sea level and 203 km east of Perth on the Great Eastern Highway. It has an average annual rainfall of 350 mm and produces good crops of wheat, barley and oats.
It is widely believed that the town's name is a corruption of Killabin or Kellabrin. In the 1860s a nearby hill was always known as 'Killabin' which was supposedly a corruption of the Aboriginal word (or at least this is what local folklore says) 'Kellabrin' which was the name for a large ant colony which existed on the side of the hill.

The area around Kellerberrin wasn't settled by Europeans until 1861. In that year an expedition passed through the area and observed that 'there was a spring and about 2000 acres of tolerable grazing land'. Their description of the virgin land is far removed from the image the modern traveller has. They described the area as one of open forests and tree thickets.
The first settler, E. R. Parker, moved into the area in 1861 with a flock of sheep and over the next decade he was followed by a number of graziers who took up large runs and survived by a combination of sheep grazing, a little wheat growing, some sandalwood cutting and some horse breeding.
The area experienced a dramatic change in 1887 when gold was discovered at Southern Cross. Suddenly there were prospectors and fossickers wandering through the area on the Old York Road. The railway came through the area in 1893 and terminated at Doodlakine 16 km to the west. The original survey had placed the railway some 20 km to the north of the present site. It was moved further south after protests from the local graziers. A town grew up 5 km north of the present site of Kellerberrin near a waterhole.
When the railway moved further west the township at Doodlakine died and Kellerberrin became the district centre. The Doodlakine Post Office was moved to Kellerberrin and in 1897 the Agricultural Hall was built. It is a comment on the size of the town at this time that the member for Yilgarn observed that Kellerberrin was inhabited by 'one man and a dead kangaroo'.















knitting pattern for a kangaroo



KANGAROO SQUARE - FINISHED SQUARE 10 INCHES X 10 INCHES


Working with 8-Ply wool (two colour contrast)
Cast on 56 stitches and knit 24 rows of garter stitch.
1st row, knit, then next row knit 12, purl 32, knit 12.
Repeat these last two rows three times (8 rows in all).
Begin the Kangaroo graph (30 stitches) within the 32 stitches of stocking stitch.
After the Kangaroo is completed, work another 8 rows of stocking stitch within the border of 12 stitches of garter stitch on either side.
Knit top border with 24 rows of garter stitch.



kangaroo dishcloth